A British extreme metal institution, Cradle of Filth emerged in 1991 with a style that leaned heavily toward black metal. As the years progressed, their sound evolved as well, with elements of gothic and symphonic metal taking over, resulting in a more commercial approach that yielded internationally charting efforts like Damnation and a Day (2003), Thornography (2006), Hammer of the Witches (2015), and Existence Is Futile (2021).

Hailing from NYC, Black Satellite, led by indomitable frontwoman Larissa Vale, is creating waves in the rock scene with a sound that’s dark, edgy, and distinctly their own. Fusing industrial and metal influences, their music transcends conventional boundaries solidifying their place in the genre. The band continues to break new ground through ceaseless hard work and non-stop touring, showcasing their dedication both on and off stage.

Ever since the cloaked Pacific Northwest band appeared on the music radar, UADA has always been electrified by both polar worlds. Their echelon was stark and meaningful. Within the stretch of 3 albums as well as dense and triumphant live shows across the globe, they have not only spiked the map of extreme metal music, but their unrelenting touring schedule and unbridled will to push forward into new horizons has also earned them a reception in all the extremes imaginable, be it worship or spite.